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August 2, 2011

Answers to what comes next

Well, I've posted this before. It also hangs on the wall in my office. But now is a time to read it, and think about it, and live it again.

How to Like It

These are the first days of fall. The wind
at evening smells of roads still to be traveled,
while the sound of leaves blowing across the lawns
is like an unsettled feeling in the blood,
the desire to get in a car and just keep driving.
A man and a dog descend their front steps.
The dog says, Let’s go downtown and get crazy drunk.
Let’s tip over all the trash cans we can find.
This is how dogs deal with the prospect of change.
But in his sense of the season, the man is struck
by the oppressiveness of his past, how his memories
which were shifting and fluid have grown more solid
until it seems he can see remembered faces
caught up among the dark places in the trees.
The dog says, Let’s pick up some girls and just
rip off their clothes. Let’s dig holes everywhere.
Above his house, the man notices wisps of cloud
crossing the face of the moon. Like in a movie,
he says to himself, a movie about a person
leaving on a journey. He looks down the street
to the hills outside of town and finds the cut
where the road heads north. He thinks of driving
on that road and the dusty smell of the car
heater, which hasn’t been used since last winter.
The dog says, Let’s go down to the diner and sniff
people’s legs. Let’s stuff ourselves on burgers.
In the man’s mind, the road is empty and dark.
Pine trees press down to the edge of the shoulder,
where the eyes of animals, fixed in his headlights,
shine like small cautions against the night.
Sometimes a passing truck makes his whole car shake.
The dog says, Let’s go to sleep. Let’s lie down
by the fire and put our tails over our noses.
But the man wants to drive all night, crossing
one state line after another, and never stop
until the sun creeps into his rearview mirror.
Then he’ll pull over and rest awhile before
starting again, and at dusk he’ll crest a hill
and there, filling a valley, will be the lights
of a city entirely new to him.
But the dog says, Let’s just go back inside.
Let’s not do anything tonight. So they
walk back up the sidewalk to the front steps.
How is it possible to want so many things
and still want nothing. The man wants to sleep
and wants to hit his head again and again
against a wall. Why is it all so difficult?
But the dog says, Let’s go make a sandwich.
Let’s make the tallest sandwich anyone’s ever seen.
And that’s what they do and that’s where the man’s
wife finds him, staring into the refrigerator
as if into the place where the answers are kept-
the ones telling why you get up in the morning
and how it is possible to sleep at night,
answers to what comes next and how to like it.

Stephen Dobyns

February 13, 2010

Lucille Clifton, June 27, 1936 – February 13, 2010

Night Vision

the girl fits her body in
to the space between the bed
and the wall. she is a stalk,
exhausted. she will do some
thing with this. she will
surround these bones with flesh.
she will cultivate night vision.
she will train her tongue
to lie still in her mouth and listen.
the girl slips into sleep.
her dream is red and raging.
she will remember
to build something human with it.

Lucille Clifton

February 11, 2010

Final Edition

Just about the saddest, truest thing:

Something funny I have noticed, perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London, they want to float down the Nile in a felucca; they want five-star bricks and mortar and do not disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (add to shopping cart), they will do it.

(Harper's)

September 15, 2009

Good One

"And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness."

-- Nick Tosches, Where Dead Voices Gather

June 13, 2009

Lots of Time to Walk and Mull on Poems this Weekend.

Reading Novalis in Montana
Melissa Kwasny

The dirt road is frozen. I hear the geese first in my lungs.
Faint hieroglyphic against the gray sky.

Then, the brutal intervention of sound.
All that we experience is a message, he wrote.

I would like to know what it means
if first one bird swims the channel

across the classic V, the line flutters, and the formation dissolves.
In the end, the modernists must have meant,

it is the human world we are weary of,
our arms heavy with love, its ancient failings.

But that was before the world wars, in 1800,
when a young German poet could pick at the truth

and collect the fragments in an encyclopedia of knowledge.
There is a V, then an L, each letter

forming so slowly that the next appears before it is complete.
The true philosophical act is the slaying of one's self,

Novalis wrote, and died, like Keats, before he was thirty.
They have left me behind like one of their lost,

scratching at the gravel in the fields. Where are they
once the sky has enveloped them?

I stand in the narrow cut of a frozen road leading into mountains,
the morning newspaper gripped under my arm.

But to give up on things precludes everything.
I am not-I, Novalis wrote. I am you.

If, as the gnostics say, the world was a mistake
created by an evil demiurge, and I am trapped

in my body, abandoned by a god whom I long for as one of my own,
why not follow the tundra geese into their storm?

Why stay while my great sails flap the ice
as if my voice were needed to call them back

in the spring, as if I were the lost dwelling place for the flocks?

March 17, 2009

Half-Assed Worldliness

Pam pointed out an article on American's half-assed literary worldliness this week.

I myself am an embarrassingly unworldly reader and probably don't read more than 2 works in translation in any given year; I couldn't tell you the last time I read a contemporary translated novel.

She pulled out a very apt excerpt:

We don’t have much time, so we want a taste, some fast food to go. And so we read ethnic literature the way we down an ethnic meal. We can get a burrito almost anywhere, but it’s often mildly spiced, adjusted just for us, and wrapped for those in a rush. So we’re eating a translated burrito, and we’re reading a world prepared especially for us. But we don’t believe anything is missing.

But to continue the food metaphor - how many of us are truly satisfied by that vaguely ethnic burrito? It's what you get when you're in a hurry, yes, but if you had a choice between a legit local taco truck and a Taco del Mar, equally convenient, then which would you choose?

OK, so I'm sure some absurd portion of the population would still opt for the Mar and not know the difference, but surely not all of us? And the more who have the chance to try the real thing..

It’s not the ease of a Western voice I want, it’s the ease of taking book reading cues from well-known lists (I've read many foreign Nobel-winning writers) or what’s available at the library or what my friends recommend. I’d love to read more works in translation but unless a book comes across a familiar recommendation channel, I’ll likely not even know it exists. Same for music, film, etc.

Kinda sad.

September 16, 2008

This is water.

And thanks, many thanks, to both Seal and Pam for the reminder to re-read David Foster Wallace's 2005 Kenyon commencement address.

He will be missed.


If you're automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won't consider possibilities that aren't annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.

Not that that mystical stuff is necessarily true. The only thing that's capital-T True is that you get to decide how you're gonna try to see it.

This, I submit, is the freedom of a real education, of learning how to be well-adjusted. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.

April 21, 2008

Reading

I need to read some books soon like whoa. I've got a big long list on my Goodreads and I hear good things about books from all my bookish friends but I have not been keeping up.

I've got a growing pile in the bedroom, books from friends, books from the library, books from bookstores. Have not made the time to read them. Have not made the time for lots of things lately. Like laundry. Or cleaning. Or running. Or hiking. Or much else. What have I made time for? Work. The garden. The boy. And that's about it.

How do you do it all, people?

Also, what does it say about you that when you get a free hour on a Sunday your first thought is to go out to the garden and weed?

March 13, 2008

Frame of Mind

From Rumi's Buoyancy:

So the sea-journey goes on, and who knows where?
Just to be held by the ocean is the best luck
we could have. It's a total waking up!

Why should we grieve that we've been sleeping?
It doesn't matter how long we've been unconscious.

We're groggy, but let the guilt go.
Feel the motions of tenderness
around you, the buoyancy.

March 11, 2008

Some Trees

From Some Trees, by John Ashbery

And glad not to have invented
Such comeliness, we are surrounded:
A silence already filled with noises,
A canvas on which emerges

A chorus of smiles, a winter morning.
Placed in a puzzling light, and moving,
Our days put on such reticence
These accents seem their own defense.

(You can read the whole thing, and you should, at Blographia Literaria)

February 4, 2008

Notes From Rereading Redwall Books for the First Time Since Childhood

"By Satan's whiskers..."

Too big to post the comic here, but worth your click.

November 5, 2007

Live the Questions

A classic that comes back to me with some frequency - relevant always, particularly so now.

...I would like to beg you dear Sir, as well as I can, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign tongue. Do not now seek the answers, which cannot be given to you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live your way into the answer.

Rainer Maria Rilke, 1903, from Letters to a Young Poet

April 20, 2007

How To Like It

This is exactly how it is.

How to Like It

These are the first days of fall. The wind
at evening smells of roads still to be traveled,
while the sound of leaves blowing across the lawns
is like an unsettled feeling in the blood,
the desire to get in a car and just keep driving.
A man and a dog descend their front steps.
The dog says, Let’s go downtown and get crazy drunk.
Let’s tip over all the trash cans we can find.
This is how dogs deal with the prospect of change.
But in his sense of the season, the man is struck
by the oppressiveness of his past, how his memories
which were shifting and fluid have grown more solid
until it seems he can see remembered faces
caught up among the dark places in the trees.
The dog says, Let’s pick up some girls and just
rip off their clothes. Let’s dig holes everywhere.
Above his house, the man notices wisps of cloud
crossing the face of the moon. Like in a movie,
he says to himself, a movie about a person
leaving on a journey. He looks down the street
to the hills outside of town and finds the cut
where the road heads north. He thinks of driving
on that road and the dusty smell of the car
heater, which hasn’t been used since last winter.
The dog says, Let’s go down to the diner and sniff
people’s legs. Let’s stuff ourselves on burgers.
In the man’s mind, the road is empty and dark.
Pine trees press down to the edge of the shoulder,
where the eyes of animals, fixed in his headlights,
shine like small cautions against the night.
Sometimes a passing truck makes his whole car shake.
The dog says, Let’s go to sleep. Let’s lie down
by the fire and put our tails over our noses.
But the man wants to drive all night, crossing
one state line after another, and never stop
until the sun creeps into his rearview mirror.
Then he’ll pull over and rest awhile before
starting again, and at dusk he’ll crest a hill
and there, filling a valley, will be the lights
of a city entirely new to him.
But the dog says, Let’s just go back inside.
Let’s not do anything tonight. So they
walk back up the sidewalk to the front steps.
How is it possible to want so many things
and still want nothing. The man wants to sleep
and wants to hit his head again and again
against a wall. Why is it all so difficult?
But the dog says, Let’s go make a sandwich.
Let’s make the tallest sandwich anyone’s ever seen.
And that’s what they do and that’s where the man’s
wife finds him, staring into the refrigerator
as if into the place where the answers are kept-
the ones telling why you get up in the morning
and how it is possible to sleep at night,
answers to what comes next and how to like it.

Stephen Dobyns

April 6, 2007

Getting Away with It

I got this poem in my inbox this morning and it reminded me why I love Jack Gilbert.

Getting Away with It

We have already lived in the real paradise.
Horses in the empty summer street.
Me eating the hot wurst I couldn't afford,
in frozen Munich, tears dropping. We can
remember. A child in the outfield waiting
for the last fly ball of the year. So dark
already it was black against heaven.
The voices trailing away to dinner,
calling faintly in the immense distance.
Standing with my hands open, watching it
curve over and start down, turning white
at the last second. Hands down. Flourishing.

Jack Gilbert
from Refusing Heaven

As some of you may know, April is National Poetry Month. In celebration, Knopf emails out a free poem a day for the month - if you'd like to receive them too, send a blank email here.

April 4, 2007

The Golden Compass

How did I not hear that they're making The Golden Compass into a film?

I've read Phillip Pullman's His Dark Materials trilogy, of which The Golden Compass is the first novel, a bajillion times. Those books were some of my very favorites as a kid. And! now! a! movie!

Lest you think that these are just some dorky childrens' books, here's what The New Yorker has to say:

“His Dark Materials” may be the first fantasy series founded upon the ideals of the Enlightenment rather than upon tribal and mythic yearnings for kings, gods, and supermen. Pullman’s heroes are explorers, cowboys, and physicists. The series offers an extended celebration of the marvels of science: discoveries and theories from the outer reaches of cosmology—about dark matter and the possible existence of multiple universes—are threaded into the story.

Not to mention Milton, critiques of theology, explorations of morality... and giant armored polar bears.

There's something of a proto-trailer to watch here.

Movie stills are here.

February 6, 2007

Good Titles

My buddy A asked for his friends' favorite titles the other day - books and movies and music and things that for whatever reason resonate. I wrote down a couple of mine, off the top of my head: something about these, the turn of phrase or the rhythm or the imagery, just strikes me right. What are some of your favorites?

The Optimist's Daughter
Everything is Illuminated
Giles Goat-Boy
Everything That Rises Must Converge
St. Lucy's Home for Girls Raised by Wolves
Middlemarch

Lift Yr Skinny Fists Like Antennas to Heaven
Nightswimming
Lo-Fi Tennessee Mountain Angel
In the Aeroplane Over the Sea
A Sweet Summer's Night on Hammer Hill
The Long Winters

All the Real Girls
For a Few Dollars More

August 25, 2006

Borrowing words

I love this Booker T. Washington quote that the Foxy Librarian used here:

I had a difficult time trying to explain to a Chinese woman the different pronunciations of Warren Buffet (financial investor), buffet (to strike or beat), and buffet (piece of furniture, smorgasbord).

God, English is a bitch! I told her that since English sometimes comes up short, it will assimilate languages’ words, which accounts for some of the variations in pronunciations. Or, as Booker T. Washington said, “We don't just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary.”

(She also wrote a wonderful piece about battleaxes - man, I'd love to be a battleaxe someday.)